![]() He graduated from the Graphic Department of the Academy of Fine Arts in Zagreb in 1994 (class of Professor Miroslav Šutej) with a thesis entitled “Mysticism in the Artistic Practice of J. He grew up in the village of Privlaka, North West of Zadar. Transforming sand-dark into the sand-silver we follow traces of the Atlantic waves.Ĭurator: Josip Zanki (HR) was born in Zadar, on 14th March 1969. ![]() According to Goethe, colour origin is on the border between light and darkness. We used wet sand as primary installation material and by its conversion to dry sand we included elements of light/colour. Collaborative work by Luise Kloos, Gerlinde Thuma, Silvia Maria Grossmann, Tanja Gurke and Marie Maierhoferħ. Collaborative work by Josip Zank, Laura Stojkoski, Ivan Fijolic, Dorian Pacak and Anthropologist Nikolina Durutt.ġ1-13.Breaking the Vawes, spatial intervention by Josip Zanki, Dorian Pacak, Laura Stojkoski and Nikolina Durut Collaborative work by Luise Kloos, Gerlinde Thuma, Silvia Maria Grossmann, Tanja Gurke and Marie Maierhoferĥ.Collaborative work by Josip Zank, Laura Stojkoski, Ivan Fijolic, Dorian Pacak and Nikolina Durut mapping mans evolutionary journey from sea to land.Ħ. Green sandstone and quartz double ring with central stacking stones marking distant constellations. Dry stone walling skills utilised to create a protective enclave and point towards the sea. A bridge was formed to allow the natural flow of water to pool within the central quartz before flowing to the sea.Ĥ. Sized up, using sandstone and quartz the ring also maps the cardinal directions as well as Orion's belt, Bellatrix and Betelgeuse, Rigel and Saiph. Placed where a stream meets the sea, this intervention took inspiration from the Neolithic cup and ring motif found on rocks around the peninsula. Cup and Map, by Mark Cullen, Eve Woods, Ellen Wallace, Bernie Coulhoun on Toor Beach I used stones found on the rocks and positioned them to follow the line and structure of nature.ģ. Etymology of the term Kulaf comes from the Dalmatian coast of Dugi otok and it is a term describing the open sea of the Adriatic (kulaf=gulf). Spatial intervention was created on the Atlantic coast. Kulaf, spatial intervention by Josip Zanki Utilising quartz markings on stone to draw an artificial tideline, covering 200m of beach reaching from castle ruins towards the Abbey. ![]() Noelle Campbell Sharp and the Cill Rialaig Project for hosting and welcoming us to the Iveragh Peninsula. The project is curated by Mark Cullen & and administrated by Eve Woods.Ī special thanks to Dr. We welcomes from Austria curator and artist Luise Kloos with artists Gerlinde Thuma, Silvia Maria Grossmann, arts manager Tanja Gurke and art historian Marie Maierhofer from Croatia curator and artist Josip Zanki with artists Laura Stojkoski, Ivan Fijolic, Dorian Pacak and anthropologist Nikolina Durutt alongside Irish artists Bernie Colhoun and Ellen-Rose Wallace. Presentations from Aoibheann Lambe a local archaeologist with a speciality in the Iveragh Peninsula, and curators from each region will be supplemented by visits to Skellig Michel, ancient clocháin - beehive huts in Glenfahan on Slea Head, Loher Stone Fort and Beach, and Valencia Island. This symposium will foreground studio activity, reflection and group work alongside exploration in the open landscape. The combination of stone, sea and artistic retreat resonates with the ancient practices associated with the drystone beehive huts that were built in the region for meditation and reflection on the expanse of the Atlantic Ocean. This pre-famine village (c.1790) set high on a cliff at the very edge of Western Europe has been rescused and rehabilitated as the perfect retreat for artists, poets, writers, film makers and composers of national and international repute. Noelle Campbell Sharp and the Cill Rialaig Project. We are delighted to welcome artists to the Cill Rialaig village at the generosity of Dr. This residency at the Cill Rialaig Artist Village is one section of a multi-part project which began as 'Stone Walls' led by Josip Zanki, exploring dry wall stone techniques as a tool for artistic expression and site-specific practice at Kožino, Privlaka, National Park Paklenica, Velebit Mountain, Fortica at the Island of Pag, Paška Vrata, Croatia in 2021 and continued as 'Wood and Stone', led by Luise Kloos, which extended the materiality of the project to include an exploration of natural materials, interventions, sited objects and performances in the natural environment of Grafenbergalm, Styrian Alps, Austria in 2022. 06/07/23-18/07/23 Staring at the Sea: Land art and reflection symposiumĦth-18th July 2023, Cill Rialaig Artists Village & Iveragh Peninsula, County KerryĪs part of Pallas Projects' ongoing international exchanges with artists and curators in Croatia and Austria we are happy to present Staring at the Sea.
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